If you read Lesa’s Book Critiques on Thursdays when we all talk about books, you might recognize Rosemary Kaye’s name. She writes from Scotland, and I’ve always loved her descriptions of the books she’s reading as well as her stories of her life there. It’s interesting to see the slight differences in her life and our daily life in the U.S. 

Rosemary recently offered to write a few posts for the blog, and I jumped at the chance to share her writing with a larger audience. I’m taking her up on it. She’s written her first piece to share with us today. Thank you, Rosemary.

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When people think of Scottish fiction, most of them probably think of Edinburgh; Ian Rankin, Alexander McCall Smith, Walter Scott, Irvine Welsh …At a pinch they might remember Glasgow – after all, Peter May started life there, and Alasdair Gray was born in Riddrie. But I have news for you – there is life beyond the ‘Central Belt’, and I am currently living it. So I thought I would talk a little about some authors who either come from, or write about, Northern Scotland; some old, some new, some you may well have heard of, and some you probably haven’t. I’m going to start today (since this is Lesa’s blog!) with detective stories.

Stuart MacBride lives in Turriff, a market town in Aberdeenshire, where he says he spends all day in his pyjamas writing about Logan McRae, a police officer in Aberdeen city, and his motley band of colleagues. Cold Granite is the first in the series, and it’s now been followed by twelve more, all extremely successful. MacBride’s writing isn’t for the fainthearted – it’s grim and gory and there’s quite a lot of violence – but his plots are excellent, his style first class, and he addresses issues, some of which are especially relevant to ‘the oil capital of Europe’, and some more general, such as child abduction, but always within the framework of a good story. Here’s an excerpt from book two, Dying Light:

‘Summertime in the Granite City, the sun is shining, the sky is blue, and the morgue is getting crowded: burnt bodies, murdered junkies, dismembered Labradors and battered prostitutes. And if that wasn’t enough to worry about, there’s a PC lying in A & E with a bullet in him, and it’s all Logan’s fault.’






Sticking with Aberdeen, Claire McLeary is a relatively new writer. Her main characters are, for a change, neither male, ex-police, rich nor alcoholic. Maggie Laird has inherited her late husband’s private detective agency, Wilma Harcus is her friend, neighbour and now somewhat unlooked-for sidekick. While middle-class Maggie is desperate to keep financially solvent and pay her son’s school fees, brash Wilma – ‘all fake tan and sprayed-on leggings’ – is more interested in bettering herself with a proper career; she spends time each day at the library, teaching herself new words in an effort to improve on her patchy education. Both women have to make ends meet with poorly paid second jobs, both have their own, perhaps more realistic, problems – children, parents, partners, bills. Maggie is cautious and wants to stick to instances of insurance fraud and as regular an income as possible; reckless, determined, Wilma wants to take on the more exciting cases – thefts, kidnapping and murder.  In Payback, the murder of a PR consultant interests Wilma – Maggie wants her to steer well clear and concentrate on a series of petty thefts, but when connections start to appear between the two, the women are drawn in and end up taking big risks to solve the cases and find the perpetrator. 

MacLeary’s novels focus more on the lives of women today – from the girls themselves to a lonely academic, a high-flying businesswoman and a bereaved mother –  than on graphic violence, but her plots are still convincing, and her depiction of Aberdeen, and indeed of Aberdonians, is spot on. There are three other novels in this series, Runaway, Burnout and Cross Purpose.

Ann Cleeves is well known to all by now. She’s written numerous books, but achieved mega-fame when her series about Northumbrian detective Vera Stanhope was adapted for television (Vera has been voted the UK’s fourth favourite detective, beaten only by the likes of Sherlock Holmes and Inspector Morse) and followed by adaptations of her Shetland novels, featuring detective Jimmy Perez. I am going to go out on a limb here and say that I prefer Perez to Stanhope, although it may well be because he is played on TV by the wonderful Douglas Henshall…but whatever your view, Cleeves’ writing really evokes life on these Northern Atlantic islands (15 of which are inhabited) over one hundred miles from the Scottish mainland, where it is light at midnight in summer – and dark before 3pm in winter. Shetland has made a fortune out of North Sea oil, but still retains its Scottish/Norse heritage; crofting, knitting and fishing all remain very important. Perez’s investigations frequently come up against old family feuds in a community where everyone knows one another – and one another’s secrets.


Although Ian Rankin’s troubled detective John Rebus is very much Edinburgh-based, in Black and Blue (the eighth book in the series) he is obliged to leave the city when he investigates a recent spate of murders bearing similarities to the notorious ‘cold’ case of Bible John. The trail takes Rebus to Aberdeen and then to Shetland, and involves corruption in the oil industry and ecological protests as he tries to find out if Bible John has reappeared, or if these are copycat killings – and if so, by whom? Rankin is a key player in the ‘Tartan Noir’ genre, whose other well-kent members include Val McDermid and Caro Ramsay.


Finally, another island murder mystery, this one written over fifty years ago. Mary Stewart’s Wildfire at Midnight is set on Skye, to which fashion model Gianetta escapes after a failed marriage, It is 1953, London is gripped by Coronation Fever, but Gianetta just wants to get away from it all at the lonely Camasunary hotel in the shadow of Blaven. She soon learns, however, that there have been several mysterious deaths associated with the mountain, the most recent that of a local girl who went out to meet ‘a gentleman’ and was eventually found with her throat cut, her body laid out in a ritualistic fashion. Which one of the hotel guests is responsible for these murders? Why were the victims, who seem unconnected, killed?  And why has Gianetta’s moody ex-husband Nicholas turned up in this remote corner? Mary Stewart is said to have invented the ‘romantic suspense’ genre, and as with all of her heroines, Gianetta is feisty, brave and independent, romance being a mere backdrop to the fast-moving plot. Stewart lived in the Highlands, at a house on the shore of Loch Awe, for many years, and her ear for the local dialect is excellent.

Disclosure: I bought all of these novels myself apart from Payback, which the publisher, Contraband, sent to me for a fair review.

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Thank you, Rosemary, for this terrific post. Rosemary Kaye is already working on another piece for us, and I’ll be excited to read and share it when it comes. I think it’s great to have a viewpoint other than an American’s now and then.